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A Biosemiotic and Ecological Approach to Music Cognition: Event Perception Between Auditory Listening and Cognitive Economy.

机译：一种生物符号学和生态学的音乐认知方法：听觉与认知经济之间的事件感知。

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Reybrouck, Mark;
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1. A Biosemiotic and Ecological Approach to Music Cognition: Event Perception Between Auditory Listening and Cognitive Economy [J] . Axiomathes . 2005,第2期

机译：音乐认知的生物符号学和生态学方法：听觉与认知经济之间的事件感知
2. Directions in Music by Miles Davis: Using the Ecological Approach to Perception and Embodied Cognition to Analyze the Creative Use of Recording Technology in Bitches Brew [J] . Zagorski-Thomas Simon Technology and Culture . 2018,第4期

机译：迈尔斯·戴维斯（Miles Davis）的音乐指导：使用生态学方法感知和体验认知来分析母狗啤酒中录音技术的创造性运用
3. Musical Probabilities, Abductive Reasoning, and Brain Mechanisms: Extended Perspective of A Priori Listening to Music Within the Creative Cognition Approach [J] . Sebastian Schmidt, Thomas A. Troge, Denis Lorrain Creativity Research Journal . 2013,第3期

机译：音乐概率，归纳推理和脑机制：在创造性认知方法内先验听音乐的扩展视角。
4. The Cognition of Music Elements in the Auditory Aesthetics of Music Education [C] . Chao Song International Seminar on Education Research and Social Science . 2019

机译：音乐教育听觉美学中音乐元素的认识
5. "My music": The music making and listening experiences of seventh and eighth graders not enrolled in school music ensembles. [D] . Williamson, Susan J. 2005

机译：“我的音乐”：七年级和八年级学生的音乐制作和聆听体验未纳入学校音乐合奏团。
6. Music as Environment: An Ecological and Biosemiotic Approach [O] . Mark Reybrouck 2015

机译：音乐作为环境：一种生态和生物符号学方法
7. A biosemiotic and ecological approach to music cognition: event perception between auditory listening and cognitive economy [O] . Reybrouck Mark 2005

机译：一种生物符号学和生态学的音乐认知方法：听觉听觉与认知经济之间的事件感知

A Biosemiotic and Ecological Approach to Music Cognition: Event Perception Between Auditory Listening and Cognitive Economy.

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